Her little lip. It kills me every time.

What do you think of my new dog tags logo? I’m just experimenting, trying on new logos for size. I like the dark grey version of this better, but you can’t see it on this shot. I’ll keep playing.
Her little lip. It kills me every time.

What do you think of my new dog tags logo? I’m just experimenting, trying on new logos for size. I like the dark grey version of this better, but you can’t see it on this shot. I’ll keep playing.
Some new ‘experiments’. Just for fun.
Several photographers have asked me how I do these. There is no one easy answer because there are about 100 different ways you can create these shots. No, ‘click here and bam!’, simple trick. What I can tell you is that they are all done exclusively using Lightroom 2, they are *not* designed using develop presets, and each image takes approximately 10 minutes to design, depending on how ornery it’s being. I only pick shots that I know will work well for the process- ideally those with a solid color background that is a color that doesn’t occur anywhere on the dog, a shot that will look great with high contrast. This takes being able to ‘see’ what the image will look like as a completed design before doing any editing. Without being able to visualize the completed image before starting I just waste my time working on image after image after image.
Once I find the perfect shots to work with, I just play with sliders and make changes until it looks cool, adding lots of black and contrast, keeping the color in the image and adjusting select colors. It’s all about experimenting, tweaking, adjusting, learning. I’m pretty sure that every image I’ve done this with has completely different editing settings, because the ‘raw material’ of the original image for each shot is different, and those differences determine the outcome. Oh, and the high-key images were all taken in my old studio using only natural light and were easy to make high-key as they were almost there already.





This image is proof that if you are a Canon owner you don’t need to spend $1,400+ on a 50mm 1.2 lens, or $1,400+ on a 35mm 1.4 lens or $1,600+ on a 24mm 1.4 lens, to get really beautiful bokeh. This shot was taken with the $100 50mm 1.8 lens. That’s right, one hundred dollars. Go buy it here.
50mm 1.8 200 ISO 1/400 sec

I stumbled on this image a few days ago while cleaning off my hard drive on my macbook pro, freeing up about 30GB of space (yay for me!). I didn’t even know I had this shot, and in fact don’t ever remember seeing it before, or doing the black and white conversion on it. I have a lot of these types of files, shots I’ve taken that get filed away in some random spot, never to be seen again. I was thrilled to discover this, because I absolutely love it. Now if only I could remember what the B/W conversion was I did on it.
This adorable little guy is Parker. You will see more of him in the upcoming Winter issue of CityDog Magazine. I’ll give you a heads-up when it hits newsstands.

Speaking of CityDog Magazine, a reminder that the annual Valentines Day Puppy Love CityDog Muttmixer is tonight! It’s at the gorgeous W Hotel in downtown Seattle, runs from 6pm-8pm, is dog-friendly, and I can attest from experience, is a blast for both you and your pups. Dress up, drink some champagne, socialize with other dog lovers, and maybe even meet someone special for you and your pooch. I’ll be staying in tonight, as I’m still trying to recover from the exhaustion of moving, and for those who know the normally energetic outgoing party-girl me, you know I MUST be tired, lol. Fergie and I will be there in spirit though!