Tag Archives: before and after

a typical Cowbelly ‘before and after’

I’m currently working on portfolio reviews, and one of the questions I get asked most often is: “what do you normally do when you edit your photos?”. My stock answer is “it depends”. It depends on what the photo looks like, where it was taken, what the exposure is like (good or bad), what colors it contains, and what ‘look’ or style I’m trying to achieve.  But as far as answers go, I can do better than that. So I bring you, my ‘typical’ before and after. i.e. what I ‘normally’ do to a photo using Lightroom and Photoshop.

Before and after:

The before photo of miss Zen was underexposed, as many of my photos are. So the steps I took in Lightroom involved fixing the exposure, removing that ugly grey haze that all digital photos have, and making it ‘pop’. FYI: for those who are new- I use Adobe Photoshop Lightroom 3 for about 98% of my digital editing, and shoot exclusively in RAW.

LIGHTROOM 3:

Exposure: +1.00 (this is a pretty strong adjustment! Ideally I don’t like to add more than about a half stop of increased exposure with software, but I’m shooting in RAW so the file here can handle it).

Recovery: 6 (I only ever do this on shots that have blown out highlights, which I usually prefer to fix either by adjusting exposure or brightness or using the adjustment brush and lowering the exposure on select areas. Going too heavy on recovery makes an image look muddy and gross).

Fill light: 20 (I’m always pretty heavy handed with this as I always like to add blacks back in)

Blacks: 11 (I usually do somewhere between 8-12. This can go a long way in making an image ‘pop’. Blacks + brightness on a RAW file = love.)

Brightness: +75. (I usually try and use brightness first before exposure, because increasing the exposure can blow your highlights out, while increasing brightness preserves them, but here I knew I needed some extreme brightening, so I used both).

Clarity: +20. (I always try and use a light hand here and only add between +7 to +14 if necessary, because it can make a shot look really gritty if too strong a setting is applied. But here it’s great for the graffiti, and if I had more time I’d use the adjustment brush and paint on +100 clarity on the graffiti only to really make it pop).

Tone curve: darks: -21. I swear this is my default setting for 95% of my images. lol

HSL (love these sliders!!). Saturation: blue: +25, purple: +50. Luminance: blue: -54, purple: -23. I did this to keep the vibrance in those colors without affecting the vibrance of the overall image.

Sharpening: amount: 41, Radius: 1.0 (default), detail: 25 (default), masking: 0 (default).

Adjustment brush: I did selective adjustments on Zen’s face to clone out junk, because she had some goopies around her eye and some dandruff in her fur (oh the shame!). Lightroom’s automatic adjustments do an amazing job, and I rarely need to change the area they are selecting from. Thank you Lighroom. I love you.

PHOTOSHOP CS5:

Sharpening: smart sharpen: amount: 48, radius: 0.8. My sharpening is usually between 0.8-1.4 for radius, and 35-72 or so for amount, depending on what my output is (you always want to sharpen for output). I always use smart sharpen, because I’ve used every plug-in and action in the book, and have always been happiest with smart sharpen. Also, I sharpened twice here (once in Lighroom and once in PSCS5), because I’m not entirely happy with Lightroom’s sharpening results. It’s an ‘ok’ place to start out with using a subtle adjustment like I did here, but for great sharpening, nothing beats photoshop, IMHO.

That’s it! I try and keep my editing as simple as possible these days, because I find that the more I fiddle with it, the less natural the results are.

Hope that helps someone out there. Happy editing! :-)

 

The power of Photoshop

Yes, I do love Lightroom with all of my heart, but Photoshop is pretty great too. Technology- it never ceases to amaze me.

Cowbelly Pet Photograph or Decopaw art

the power of lightroom (and photoshop)

most of the editing on this image was done in LR2, with the exception of some touch-up cloning and adjustment layer masks in PSCS3 to bring the catchlights in the eyes up. Otherwise, major cloning, color, cropping, contrast and everything else was all Lightroom, which is pretty impressive, because anyone who has tried to clone blue sky knows it’s nearly impossible. It’s pretty amazing what software can do.

bronco-bear-62-web

Samson & Cooper sneak peek

There is nothing funnier than a big, lumbery, happy black lab IMO. And Samson totally fits the bill. This is Sam with his little buddy Cooper, who was just lucky enough to be staying over with Sam for a few days. When I saw Cooper’s face I had to get him in on the photography action. Sam didn’t mind at all. In fact, Sam doesn’t seem to mind much. He is the epitome of laid-back.

That’s Cooper there on the right. See how I couldn’t resist snapping some photos of him? Oh just you wait….

Some of you may recognize Sam from my old blog. Sam’s mom received a birthday gift from her super sweet boyfriend in 2007, and they invited me to go ice skating with them at that time. They were going skating and then for food + drinks. I had to say no because I had a ton of work to do. This time they invited me to go lawn bowling with them after our shoot. Again, too much work to do. Next time I WON’T say no- there is nothing more fun than drinking and lawn bowling, IMO! (ok, I’ve never been lawn bowling but it sounds like a blast. Sheena what’s the haps with the team??).

Heyyy, how’d SHE get in there? Rarity of rarities, I brought Fergie to this photo shoot. I am in love with Sam, and I thought Fergie would be too, and I just had to get the two of them together. I hoped that Sam’s mom would be ok with it, and felt confident that I could do my job well with Fergie there, so I decided to go for it.

I don’t know if it was love at first sight, but Sam DID pull a Junepug and start walking Fergie around by her leash, which I was so surpised by it I forgot to take pictures of it. Well, except for this one. Notice the leash wrapped around the Fergs’ right foot? hee hee. Right after this we took the leashes off and they went nuts. Yep, they definitely love each other. I think a date at the dog park is in order. 

Now you tell me- how could you NOT photograph this little guy if you were there? 

Seriously….

 

I can give you proof that I am a nice person. While we were at this fountain, a man who was exercising by jumping on and off the edge of the fountain, actually FELL IN. Everyone around us grabbed their cameras and starting taking pictures of the poor guy while he struggled to get out, clearly mortified by what just happened. Did I lift up my camera and start snapping away? No way. My parents always taught me to ‘do unto others’ and my heart went out to him (talk about embarrasing), so of course I wasn’t going to take advantage of him for my own photography kicks. I admit I would make a terrible photojournalist. I like dogs more anyway. They don’t get embarrassed. Fergie gets shy when she is pooping sometimes though. I digress. 

Check out the ‘sugar string’ drool from Samson. 

Ahhh, the lovely Puget Sound. I can practically smell the low tide.

Fergie (L). Samson (R). Stick- the same. 

I don’t know if you can tell, but this photo below was massively processed. From time to time there are situations I find myself in photographically that I just don’t know how to capture. Well, in the window of time that I have anyway. Like this shot in the late evening with a still bright sky but a very dark, black dog, half lit by the sun, and half in shadow. Increasing the exposure to get the detail in the dog loses the blue in the sky, yet exposing for the sky loses the shadow detail in the dog. I had it on manual, used spot metering and metered off the midtones in the ground, then recomposed and focused on Cooper. I didn’t even have time to change the aperture (which was set on f/8.0- ok but could have used wider), because I saw that there were dogs walking toward him on my right and I had about 1.5 seconds to fire off a few shots before he moved. A neutral density filter would have helped but not exactly in the way I wanted. Fill flash would have also helped, or even a stationary light, but alas I didn’t have my flash on my camera because I didn’t think I’d need it. But even if I did, this shot was also taken at 70mm, and then also cropped way down, because I was pretty far away from Cooper when I took it. I don’t know my flash well enough yet to know if I could have gotten the lighting effect I wanted at that distance. Plus I knew if I crept in closer he would move, so I did the best I could with what I had available at the time, which is really, the best that you can do when shooting dogs on location outside! You have to be ready for anything that happens and do the best that you can. See below for the original image. 

Doctored in Lightroom and Photoshop:

Original, unmodified file. Would have been perfect had it been a profile shot. I would have just darkened the blacks and increased the contrast. I may have one of him like this in profile- I’ll have to look. 

This is funny. I decided it would be cute to try and get a group shot of all three dogs together. Not an easy feat mind you, but the outtakes that came from trying this were totally worth the challenge. Funny stuff. 

And lastly, the piece de resistance, the shot that had tears streaming down my face from laughing the first time I saw it. Ah, dogs are so funny. :-)

 

 

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